Postmodern Belief

Postmodern Belief How can intense religious beliefs coexist with pluralism in America today Examining the role of the religious imagination in contemporary religious practice and in some of the best known works of American literature from the past fifty years, Postmodern Belief shows how belief for its own sake a belief absent of doctrine has become an answer to pluralism in a secular age Amy Hungerford reveals how imaginative literature and religious practices together allow novelists, poets, and critics to express the formal elements of language in transcendent terms, conferring upon words a religious value independent of meaning Hungerford explores the work of major American writers, including Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison, and Marilynne Robinson, and links their unique visions to the religious worlds they touch She illustrates how Ginsberg s chant infused 1960s poetry echoes the tongue speaking of Charismatic Christians, how DeLillo reimagines the novel and the Latin Mass, why McCarthy s prose imitates the Bible, and why Morrison s fiction needs the supernatural Uncovering how literature and religion conceive of a world where religious belief can escape confrontations with other worldviews, Hungerford corrects recent efforts to discard the importance of belief in understanding religious life, and argues that belief in belief itself can transform secular reading and writing into a religious act Honoring the ways in which people talk about and practice religion, Postmodern Belief highlights the claims of the religious imagination in twentieth century American culture. Best Read eBook Postmodern Belief By Amy Hungerford – rarefishingbooks.co.uk Hungerford proposes that since the 1960s there is a strain of religious belief in the American novel This belief, however, is apart from religion itself with authors including DeLillo, McCarthy and Morrison placing their belief in aesthetics, removing the ontological underpinning found in traditional religious writing Hurgerford argues with a clear prose that activates the reader, rarely using cliches and eschewing prose that is academic in a way that almost makes it impenetrable I found he Hungerford proposes that since the 1960s there is a strain of religious belief in the American novel This belief, however, is apart from religion itself with authors including DeLillo, McCarthy and Morrison placing their belief in aesthetics, removing the ontological underpinning found in traditional religious writing Hurgerford argues with a clear prose that activates the reader,
This was classic Hungerford, and I loved it I enjoyed her Holocaust of Texts this past summer and looked forward to another of her works Apparently, It took her six years to write these 140 pages, and you can feel the work behind each one as well as a pleasing commitment to voice and mostly successful care not to be snarky about belief you can tell it was hard during the section on the LEft Behind books the parentheticals be
I think this book is strongest at its most granular level, especially the readings of DeLillo, Morrison, and McCarthy The distinction even separation between the form and content of belief in the introduction seemed a bit overstated to me, but by the end, I thought Hungerford used that binary in productively flexible ways It s worth sticking with it to the end I also am grateful for her attention to belief in meaninglessness, which I found to be useful for thinking about the lavish, bibl I think this book is strongest at its most granular level, especially the readings of DeLillo, Morrison, and McCarthy The distinction even separation between the form and content of belief in the introduction seemed a bit overstated to me, but by the end, I thought Hungerford used that binary in productively flexible ways It s worth sticking with it to the end I also am grateful for her attention to belief in meaninglessness, which I found to be useful for thi
Amy Hungerford, author of POSTMODERN BELIEF, contends that while literature is a declining source of authority in American present day culture, religion has become an ever stronger one For this reason, she asserts that most American prominent writers are using language as a religious form in order to salvage what they feel as a threatened literary authority.In this book she explores the work of some major writers such as Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison and Marilynne Amy Hungerford, author of POSTMODERN BELIEF, contends that while literature is a declining source of authority in American present day culture, religion has become an ever stronger one For this reason, she asserts that most American prominent writers are using language as a religious form in order to salvage what they feel as a threatened literary authority.In this book she explores the work of some major writers such as Allen Ginsberg, Don DeLillo, Cormac McCart
Very densely packed explores the literary approach to lived religion and its impact on the prose of several American writers, beginning with Allen Ginsberg, through Toni Morrison and Cormac McCarthy, to Marilynne Robinson takes a v
Hungerford s excellent on Ginsberg and DeLillo and I think she has convinced me by her potentially devastating reading of Cormac McCarthy For her, Blood Meridian just has the aesthetic power of scripture without its content But she can t resist ending on a discussion of the soaring
I haven t read the book in its entirety, although now I have my very own copy thanks to my mother in law The parts I have read are very engaging and thoughtful, and Hungerford has a unique vision of the play between texts and religion.

ô Publishers Postmodern BeliefKindle By Amy Hungerford – rarefishingbooks.co.uk
  • Paperback
  • 194 pages
  • Postmodern Belief
  • Amy Hungerford
  • English
  • 06 August 2017
  • 069114575X